The Wizard of Oz: An Allegory on Populism

?And my head I would be scratchin? while my thoughts were busy hatchin?, if I only had a brain??Anyone with a brain slew see that L. Frank Baum?s The Wizard of Oz is a spotless theatrical masterpiece, but it doesn?t take much head-scratching to desexualise that it can be used as a romance on populism as well. Its figurative characters, like Dorothy, the Scarecrow, the Tin Man, the yellowed Lion, the witches, and even the monkeys and munchkins, and it?s satirical metaphors, such as the passe-partout silver shoes, the yellow brick road, and Oz itself make it hard to believe that Baum?s work was intended for the mere entertainment of children. The four extended characters, Dorothy, the Tin Man, the Scarecrow, and the Lion depict four of the most distinguished people or groups of the time. Dorothy, a simple farm lady friend who just asks to go home, is described by Littlefield as ? pass on absent Everyman?, and represents the plucky naivety of the American people. She is ??small and humble?, and notwithstanding it is she that leads the others to seek their desires.

Her role is similar to the role of our boorish at the time; our own conflicts (the Civil War and the working out westward) caused us to better our standards (the advancement of technology in warships and weapons), consequently move us on display for the world, and making others (like Britain, France, etc.) privation to amend as well. Although Dorothy represents the naivety of the world, the Scarecrow is naïve in actuality. An word-painting of the American farmer, the Scarecrow is less inferior and in incident more intelligent and shrewd than the rest of the bunch. A precede quote from the movie, ?They come from miles around! to eat my aliment and I can?t even scare you away??, shows that... If you want to get a full essay, order it on our website: OrderEssay.net

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